Art for All. The Colour Woodcut in Vienna around 1900

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NakladatelTaschen
NázevArt for All. The Colour Woodcut in Vienna around 1900
InformaceAnglicky, 2016
PopisUmění pro všechny. Barevné dřevoryty ve Vídni okolo roku 1900. anglicky, německy, francouzsky
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Běžná cena1 649 Kč - SLEVA 15%
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1 399
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ISBN9783836539210
EAN9783836539210
JazykAnglicky
Rok vydání
Hmotnost1.30 Kg
Rozměr246x 372 mm
Vazbavázaná
Počet stran416

Bližší informace o knize "Art for All. The Colour Woodcut in Vienna around 1900"

Umění pro všechny. Barevné dřevoryty ve Vídni okolo roku 1900. anglicky, německy, francouzsky Art for All. The Colour Woodcut in Vienna around 1900, autor Tobias G. Natter, Max Hollein, Klaus Albrecht Schröder.


Anotace knihy " Art for All. The Colour Woodcut in Vienna around 1900, autor Tobias G. Natter, Max Hollein, Klaus Albrecht Schröder"

decisive social, as well as aesthetic, moment. Elevating a primarily illustrative, mass-production medium to the status of fine art, the woodblock revival set a formal precedent for Expressionism while democratizing an art for all.

Coinciding with the travelling exhibition through the Schirn Kunsthalle, Frankfurt and Albertina, Vienna, this TASCHEN edition brings together leading examples of the Viennese woodblock renaissance to give a long overdue exploration of its achievements and influence. Through prints, publications, calendars and pages from Ver Sacrum, the official magazine of the Vienna Secession, it gathers works remarkable for their graphic and chromatic intensity, and vital with the traces of japonisme as much as the stylistic seeds of Die Brücke, Der Blaue Reiter and later Expressionist movements.

Through figure studies, landscapes, patterns, and typographical treasures, the featured works are accompanied by detailed captions, as well as essays exploring their aesthetic and ideological implications, and biographies for the more than 40 artists. Examining their stark contours, stylization of the surface per se, and tendency towards contained colour areas we evaluate the Viennese woodblocks as essential harbingers, and benchmarks, of the 20th century modernism to come. At the same time, we assess how the dissemination of the woodblock substantiated the Seccessionist claim for a democratized, all-encompassing art, while adding to their reappraisal of originality, and authenticity, and convention.
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Obsah knihy: Art for All. The Colour Woodcut in Vienna around 1900

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